Saturday, December 3, 2011

Skanda Guru Kavasam invoke the true Guru within us (God)

Skanda Guru Kavasam

By Sri Skanda's Warrior of Light


Like Kanthar Sashti Kavasam, Sri Saanthaanantha Swaamigal's "Skanda Guru Kavasam," is another famous Tamil hymn in praise of Lord Murugan - in the form of our Guru. Sri Saanthaanantha Swaamigal is a great saint and devotee of Lord Skanda who has established a temple – Skandasrama in Salem, India.

Guru is a spiritual teacher who helps remove the darkness of ignorance in one's life and leads him towards the the light of wisdom, which frees one from the suffereings of earthly life.

In Saiva Siddhanta, the importance of the Guru is paramount, for one cannot seek God-realization without the grace and guidance of a Guru - just as one cannot reach a destination in a foreign country without the help of a tour guide. The destination in this case is God, the foreign country is our earthly life filled with its karmic bonds, and the tour guide is the Guru - who knows all the pitfalls, deadends, detours, etc. encountered by the devotee as he strives to reach his goal (God).

In Hinduism, it is commonly accepted and understood that the worship of Guru is worship of God - for the Guru is One with God. The Guru is the external manifestation of the real Guru (God) - who resides within all souls.

The great Chinese poet Confuscious once said, "When the student is ready, the teacher appears." Similary, only when the devotee is ready, will the Guru appear. It is really God who senses the spiritual maturation of the devotee's soul and sends forth a Guru (saint) to help the truth-seeker attain self-realization - and thus, freeing himself from worldly existence (moksham). The fundamental foundation for this to occur is bakthi (devotion) to God.

Skanda Guru Kavasam is a hymn filled with bakthi to invoke the true Guru within us (God) - in the form of Lord Murugan - and beseech Bhagavan's grace to help us attain our true nature. For those without a Guru, Sri Skanda becomes our Guru. For those with a Guru, Sri Skanda helps us realize the Oneness of Guru and God.

May Bhagavan Sri Skanda's blessings always be upon you all.

source: http://www.skandagurunatha.org/works/skanda-guru-kavasam/

Wednesday, August 3, 2011

Merciful Skanda

by P.R. Kannan
Mercy is the greatest attribute of Lord Skanda, which brings him closest to his devotees. Upanishad says that compassion and charity was advised by Prajapati the most essential quality to be cultivated by humans. Skanda’s birth itself was out of the mercy of Siva and Devi towards Devas who were tortured by Surapadma and his brother Asuras. As one of his Balalilas, Skanda killed all Devas during an encounter; he brought them back to life at the prayer of Brihaspati; thus he eliminated the ego of power of the Devas. The Tamil Kandapuranam refers to the six faces of Skanda as all representing compassion. When he was a kid, a Brahmin, who was performing a yagna, encountered a gigantic goat which suddenly emerged out of the sacrificial animal and violently attacked the whole world. Skanda brought the offending goat under control and made it his first vehicle. He taught a lesson to a haughty Brahma and jailed him. Skanda was unique in his accomplishments; he preached Pranava to Siva and later to sage Agastya.

During the first great war, when Krauncha ‘devoured’ Veerabahu and the army of Skanda inside his mountain, it was Skanda who used his Vel (spear) to destroy the mountain and bring out the army safe and sound. He then sent his brother Veerabahu as emissary of peace to Soorapadma. Veerabahu was not offered a seat in the royal assembly of Soorapadma. Skanda materialized a beautiful royal throne for Veerabahu. Skanda also appeared in the dreams of Jayanta and other Devas who were in Soorapadma’s prison and assured them of good times ahead. During the subsequent war with Soorapadma, Skanda protected Veerabahu at least on three critical occasions. Once Veerabhahu was immobilized by Bhanukopa using Mohanastram; Skanda countered by employing Amoghastram. The second time Veerabahu was thrown far into the sea by the use of Sammohanastram; Skanda sent his Vel (spear) to bring him back. The third time Simhamukha bound Veerabahu with the chain of Maya and threw him into the Udayagiri; Skanda again rescued Veerabahu using his deft arrows. When Veerabahu killed Bhanukopa after a protracted battle, Skanda gave him a boon. Veerabahu did not opt for the position of Brahma or Indra; but prayed for unwavering bhakti at the lotus feet of Skanda. Skanda blessed accordingly saying that the devotion he granted him was never bestowed even upon Devas, whose commander Skanda was.

When Soorapadma stood alone on the battlefield on the second day, having lost all his weapons including chariot, Skanda gracefully permitted him to leave, rest and return fully armed the next day. This is reminiscent of what Rama did to Ravana as conveyed in Valmiki Ramayanam. In the last day of the war, Skanda showed Visvarupa to Soorapadma on the battlefield; Surapadma temporarily recognized the divinity of the little boy who was waging the terrible war. He appeared in the form of a gigantic mango tree, which was dissected into two parts by the Vel (spear) of Skanda. The peacock and cock, which emerged now, were very aggressive and rushed towards Skanda. Skanda quietened them gracefully and blessed them with Vignana, the highest Advaitic spiritual experience. The fearful Asura thus turned into the divine vehicle and flag, worthy of devotees’ reverence.

Skanda then answered the long standing prayer of Devasena and Valli by marrying them. During the courtship with Valli there was an occasion when Valli’s own father and other kith and kin who opposed the marriage initially were all killed by the mere sound raised by the cock on Skanda’s flag. Skanda very compassionately brought all of them back to life.

Skanda himself declares in Skanda Puranam: If someone treats me badly, I shall tolerate it. But those who trouble devotees of my lotus feet, whether they be Devas, Danavas or others, are sure to meet their punishment at my hands” Such is the mercy of Skanda.
In Modern Times


In Modern Times

It is believed that during the time of Adi Sankaracharya, one Abhinavagupta wrought upon the master some severe illness through ‘Aabhichara Prayoga’. Adi Sankara got himself completely cured at Tiruchendur, where he composed the famous ‘Subramanya Bhujangam’. The vibhuti given on ‘Panneer leaf’ at the temple is considered efficacious in curing the severest of physical and mental illnesses. Kachchiappa Sivacharya wrote the classical Kanda Puranam in Tamil after Skanda appeared before him and blessed him with the initial words.

Saint Arunagirinathar of the fifteenth century is the most towering name among Skanda bhaktas. In his younger days, he repented for his evil ways and attempted suicide by falling from the Vallala tower of the Arunachalesvara temple at Tiruvannamalai. Skanda, mounted on his peacock, appeared and rescued him during the fatal drop. The merciful lord guided him to sing his praises starting with the word ‘muttu’. The soulful compositions of the saint are many - Tiruppugazh, Kandar Anubhuti, Kandar. Alankaram, Kandar Andadi, etc. These songs have stood the test of time and are very popular even today in spite of the tough classical Tamil in which they are couched. At Tiruchendur Arunagirinathar had the darshan of dancing Nataraja in the idol of Subrahmanya. Tiruchendur is also believed to be the place where he defeated a poet Villiputhuran by compossing some difficult songs in praise of Skanda. The saint reformed the arrogant poet.

Kumara Guruparar, who was born dumb, was brought by his parents to the Tiruchendur temple at the age of five. They observed austerities for 48 days. At the end of this period, Skanda appeared in the night in the dream of the child and wrote on his tongue the Shadakshari mantra. The child immediately broke into the devotional song ‘Kandar Kalivenba’. He was then blessed by Goddess Meenakshi at Madurai, who appeared as young girl. Saraswati blessed him with mastery of Hindi language. Mounted on a lion, he faced the Sultan at Kashi. He established a mutt at Kashi at Kedarghat.

Another great devotee, Devaraya Swamigal, composed the ever-popular Kandar Shashti Kavacham at Tiruchendur. Like some of the Tiruppugazh songs, this Kavacham has some mystic syllables of deep significance. Kumara Gurudasa Swamigal, popularly known as Pamban Swamigal, is the author of ‘Shanmukha Kavacham’ and ‘Kumara Sthavam’. In 1923 he met with an accident while walking on the road at Chennai. The wheel of a horse- cart ran over his leg. He was hospitalized and the British doctors who treated his gave up all hopes for his recovery. But the saint was confident and said: “After singing Shanmukha Kavacham, if I am not cured, people will lose faith”. On the eleventh day, he saw two peacocks dancing their way towards him. Lord Subramania himself lay beside him as a child. Needless to say he was instantly rid of all his illness.

Ramana Maharshi was hailed as an Avatara of Skanda by his distinguished disciple, Kavyakanta Ganapathi Muni. In his famous ‘Ramana Gita’. Ganapathi Muni asserts in his address to the Maharshi: Oh Brahman, through God given vision, I behold you again and again as Subramanya, the best of Brahmanyas, in human form” (11:7). Muthuswami Dikshitar, the great Carnatic music composer was blessed by Skanda at Tiruttani. Appearing as an old man, the Lord dropped a piece of candy in the month of Dikshitar on the steps of the temple. Dikshitar, who instantly became composer of soul-stirring songs on Devi, Skanda and other divinities. He used ‘Guru Guha’ as his signature in all his compositions.

The great Tamil scholar, Ki. Va. Jagannathan was a great devotee of Tiruppugazh. He quoted Seshadri Swamigal as saying that Tiruppugazh is Mahamantra, each letter of which has been approved by Skanda. When his mother’s life was ebbing, Ki. Va. Ja sat at her head and recited Tiruppugazh continuously. His relatives had to intervene and say to him: “Yama is afraid of coming near her as you are reciting Tiruppugazh. Stop the recitation and prostrate to your mother.” Immediately the soul left the body.

Vallimalai Sachchidananda Swamigal spent his lifetime at Vallimalai worshipping Skanda and got his darshan. He got rid of his persistent stomachache in twelve days by praying to Skanda and applying Vibhuti. He propagated Tiruppugazh with great enthusiasm. Pandrimal Swamigal used to materialize typewritten articles on Skanda in five minutes whenever required. Vadalur Ramalinga Swamigal had darshan of Skanda as brilliant light and composed Tiruarutpa. Porur Chidambaranath Devar was another famous Skanda devotee, who has contributed to the rich literature of hymns on the lord. Credit goes to Kripananda Variar for popularising Kanda Puranam and inspiring Skanda Bhakti through his scintillating discourses.

The list of notable Skanda devotees is endless. Come! let us pray at the lotus feet of the child Kumara for everlasting devotion and knowledge of the Supreme.
source: http://murugan.org/research/kannan2009-b.htm

Monday, June 13, 2011

THE SIDDHA-NATHAS AND THE DRAVIDA-VEDIC CONNECTION

There has often been some confusion over the Shaivite Natha and Siddha traditions in India, that are supposed to have originated from the pre-Vedic peoples.

However, looking back to the Vedic texts, we find only a continuity in these traditions.
Agastya, the founder of many of these traditions in Southern India, is a Rig Vedic Aryan Seer, who was hence well-versed in Sanskrit. In the South, he is connected with the creation of the Tamil language, along with Murugan, the war-God known in the North as Skanda.

Murugu, Murugan the Tamil term means “beauty”and is reflected in pure Sanskrit terms such as:
MaNjiman (Sanskrit)
Marut (Beauty), Marutvan (Sanskrit)
Murti (Beauty) (Sanskrit)
Maughda (Charm, beauty) (Sanskrit)


The Maruts themselves are the sons of Rudra-Shiva, himself associated with Agni in the Rig Veda, and are lead by Agni, as Marutvan, which is perhaps from where the Tamil “Murugan” having the same meaning, derives.

Moreover, in the Vedic texts, Agni the Fire-God is also called Brahmanaspati (Lord of Prayer) and is hence associated with Vak or Speech itself – the Sanskrit language, thus having similar connections to the origin of the Tamil language of the South.

The Rig Veda itself commences with “agnimiLe” (I praise Agni) – “iLe” itself possessing a rare Sanskrit sound that is a common feature found in Dravidian languages of the South, but faded in use in later Sanskrit in the North – again showing the Agni-origin of both languages and peoples from a Vedic era.

Rudra-Shiva, in the Shatapatha Brahmana text of the Vedic era (VI.1.3.8-19) tells us that he was first born as a Kumara (boy) and was given nine names: Rudra, Sarva, Ugra, Pashupati, Asani, Bhava, Mahadeva, Ishana and Kumara, his ninth name.

Now, this connects Murugan-Agni with his importance in later Hinduism and also the association of him as a Supreme Deity – an avatar and son of the god Shiva.

Agni as Karttikeya, or son of the Seven Virgins the Krittikas, derives from the Vedas, where he is commonly associated with the Seven Maidens as his mothers.

His Nine Forms are also important, as we recall the tradition of the Nava Nathas or Nine Nathas in the North, a Yogic tradition of which began with Shiva and his nine manifestations as a Yogi. The idea for this, and the symbolism at least, hence derives from the Vedic era.


Tara is also a goddess later associated with Shiva as a Kumara or Boy. According to legend, Shiva drank the poison form the churning of the sea of milk, and was nursed by the goddess in the form of Tara who breast-fed him Amrita or nectar, until he recovered.

Such a tale is recounted in the Rig Veda ((V.2.1-2), where his names Kumara and Guha (hidden) first come into being, and the imagery of the mother-goddess nursing the baby Agni is described, as also giving him “amrita” – relating to the Tara episode.

Nilakantha is the name of Shiva in this form, meaning “blue-necked”, a name which also occurs in the second oldest Vedic text, the Taittiriya Samhita (IV.1.5) under the term “Nilagriva” meaning the same.

Other things associated with Shiva and the Yogic traditions in India are the great death mantra (Mahamrityunjaya), which asks the great god to deliver us from mortality to immortality. This mantra appears as a mantra of the Sage Vasishtha (brother of Agastya) in the Rig Veda (VII.59.12).

Agni-Shiva is also described in the Rig Veda as the Father, Mother as Saviour of humanity (VI.1.5), which reminds us of his androgynous nature in later Hinduism, where Shiva becomes both the Mother and Father – Shakti and Shiva in manifestation, and how both are inseparable.

When we look at the Vedic Rishis, and their mantras, associations with later Siddha and Natha traditions, and also their powers in the Epics such as Ramayana and Mahabharata, we begin to see how they are much like the Nathas and Siddhas of later times also.

Agastya for example, teaches Rama the Solar-King in the Ramayana text in the science of Brahmastra (the weapon chant). These astras are found everywhere in Vedic texts, especially in the texts such as Mahabharata, where the mentors of the Aryan cousins, Kauravas and Yadavas are taught these by Drona, Bhishma and Karna.

These arte part of the Vedic martial arts systems, which are traced back to Parshurama, historically, Rama Jamadagni, the son of Vedic Rishi Jamadagni of the Bhargava (Brighu) Seer family. Interestingly, in southern regions such as Kerala, he and his Vedic martial arts traditions are still honoured.

The Rig Vedic Maruts appear to have had this science, as per their description as Seer-warriors, as also the Dhanurvidya (martial science) is described as a Vedic science in the early Upanishads, such as Brihadaranyaka.

The Vedic Gods, such as the Ashwins, the founders of Ayurveda or Vedic Medical Science, are also portrayed like Siddha or Nathas of later times, with their mystical, almost yogic powers.

One verse of the Rig Veda (VII.67.5) asks the Ashwins to assist us in battle with their powers (shaktis) and actually refers to them as Shachipatis or Lords of the Shakti or Power.

The Shakti is the yogi’s power in later Hinduism, and here seeing it appearing as a feminine term also shows it’s importance in relation to the Vedic Gods, and the siddhis (mystical yogic powers), since the Ashwins perform many feats through it.

They make cripples walk (I.117.19) and the blind to see (VIII.68.2), and put together the body of the Seer Shyava that was sliced in three (II.118.24)
and restore the head of Seer Dadhyak’s with that of a horse (I.117.24), in the Rig Veda.

The Queen, Vispala is given a golden left by the Ashwins, after hers is cut off in battle (RV.I.118.8). She is then able to fight again.

If the Vedic Aryans were mere barbarians, then how is it that their military and medical sciences were so advanced? And if the so-called Dravidians possessed these sciences and gave them to the Aryans – why did they not fight the Aryans with them? Moreover – why do the Aryans possess such a Tantric and Yogic culture, from the earliest of stages?

This shows that the two cultures arose from the same culture.


Making a Southern Connection:

The oldest recessions of the Vedas, the Rig Vedic and the Krishna Yajur Vedic (Taittiriya Samhita) are both preserved in Southern India, especially amongst the Nambudiri Brahmins of Kerala, of which also includes the great Adi Shankaracharya (c.500BCE), who reformed Hinduism throughout India, at a time when Buddhism and Jainism were taking control!

These Brahmins, like many in the South, also trace not only their origin, but also the creation of their land-mass to the Vedic Sage Rama Jamadagni (Parshurama), who was mentioned earlier.


There is much in the way of Tantricism in Kerala also, but it is fascinating that Tantra itself appears merely as closer to Rig Vedic Hinduism, also, as noted, surviving to the South, and having reformers as late as Shankara coming from the region. Other Vedic scholars are such as Aryabhatta the famous astrologer, and Bhashkaracharya.

The area is also famed for being ruled by the ancient demon-King Bali, of whom brought down the decent of the Vishnu-avatar Vamana, the drawf, who defeated him. While some may claim that Bali was a non-Arya King defeated by the Aryan god Vishnu, let us first enquire, as to why he would also be the devotee of Vishnu in the first place, and his entire family, including famous grandfather Prahlada also was? As also, his entire family always had Brighu Gurus, one of the oldest Vedic Seer families? Hence, this also connects to why Kerala Brahmins link themselves to Rama Jamadagni, of the Brighu Seers, and his martial sciences, which perhaps grew under the influence of Bali, and other such kings.

Another famous character in the South is Asuramaya (The Wise Asura). He is non other than Ushanas Kavya, the descendant of Brighu-Rishi also. In the South he is revered for being the creator of the sciences of astrology (Jyotish) and Architecture (Stapathya). In the Rig Veda he is also called Tvashtar, the creator-god, and creates the thunderbolt for Indra.


We therefore see that the ancient Natha and Siddha traditions of the South, as also the North, derive from Vedic Hinduism, and that the Northern and Southern peoples derive from the same origins.

It appears however, that the South preserved the older side of the Vedic culture through the Brighu and Agastya Seers, whereas the North took upon newer recessions, such as the Shukla Yajur Veda or White Yajur Veda, through Yajnavalkya.

Yajnavalkya himself, also author of famous texts as Shatapatha Brahmana and the Brihadaranyaka Upanishad, which have yogic and mystic siddha-like sciences everywhere, descends from the older Taittiriya Tradition of the Aruni Rishis. These Aruna Rishis themselves, as the name suggests, seem to have originated in the South for a start, around Arunachala.

We also note that famous Shaivite chants such as Shri Rudram, and Vedic Solar Yoga, lie in the older Taittiriya Samhita also, and also show the later correlation of this area, with Shiva.

Arunachala is also the region of Siddhas and Nathas, who are said to dwell there. Could these be the ancient Aruna Rishis to whom Vedic Seers as Yajnavalkya and others looked back to?

Certainly, it seems to fit with the entire tradition, and shows that the Siddhas and Nathas were merely later versions of the Rishis of ancient Vedic times.

Once again, it further asserts that the Dravidian people are just older “Vedic stock” or the proto-Aryans, as opposed to non-Aryans! In fact, the southern Iyer Brahmins etc. derive from Arya.

The South and the Origin of the Aryan Rishis:

The ancient Tamils of the South tell us of tales of a sunken kingdom that lay to the South-East of India, of which recent Mahabalipuram ruins seem to have shown. This land was known as Kumari Kandam “The Virgin Landmass” or Ilam.

Ancient India was also called Ilavarta (The Land of Ila) by the Vedic Aryans, named after their Protogenitor Ila, the daughter of the first-man, Manu. Manu in this era, is known as Vivasvan or the Solar-Manu (The Vedic religion being solar).

Interestingly, Ila is also a goddess that relates to speech and wisdom in the Rig Veda, and closely associated with Saraswati, the goddess of whom Hindus credit the Vedas, the Sanskrit language and alphabet. Ila-Saraswati is also Vak (speech) in the Vedas.

Recently, we know the Saraswati River has been found, and running through the area identified as the Vedic or Indus Valley civilisation, where the language originated. So then, what is Ila’s connection?

It appears as mentioned earlier with the Agni-speech connection of both Tamil and Sanskrit, that Ila also connects the two, as the older area where the proto-Rig Vedic language (from which Sanskrit and Dravidian tongues arose) and culture came from. The key is also in the term “agnimiLe” which contains the term “ILa” – the older Vedic term for “Ila” in classical Sanskrit, possessing the famous sound found in Dravidian languages.

What is more, Manu (the first Aryan) in Bhagavata Purana (VIII.24.13) is stated to have been a King called Satyavraya from the Dravida province (Southern India) who sailed North to avoid the floods, and to whom the Matysa (fish) incarnation of Vishnu appeared to (even in Shatapatha Brahmana).

Agastya and Brighu Rishis in the Rig Veda, are also portrayed as being put in a kumbha (pot) to escape floods, by their father Varuna, the god of waters. Agastya in Southern tales, also escapes this same southern flood!

Getting back to Manu and Ila, we find in the text Brihadaranyaka Upanishad (VI.4.28) Ila mentioned as 'Maitravaruni' meaning 'daughter of Mitra (Sun) and Varuna (Waters)'- showing she is cognate to both Satyavrata and Vaivasvata and connects the two, and shows the first 'Aryans' or Vedic people came from Southern Indian practices.

Texts as Vishnu Purana and Ramayana also tell us of another King Satyavrata, also known as Trishanku, of whom Seer Vishvamitra gave bodily accession into a heaven the Seer himself created, since he had become an outcaste and Indra rejected him.

This seems related to a flood tale, and also a tale of “New Lands” created from the old lands of Indra, which is perhaps the North and South. Vishvamitra’s Heaven is perhaps the Sarasvati region, and Satyavrata the new King.

Satyavrata is descended from the Solar Dynasty of India and was father of Harischandra, another famous King of ancient India, associated with sacrificing his own son.

This all, also connects the oldest Brighus with the flood, and explains their presence in the region of Southern India. Mahabalipuram in Tamil Nadu, and the rule of King Bali in Kerala in the West, perhaps also relates these events to an older pre-flood era, when this greater land-mass existed, or just after.

That the southern Siddha Yogis were also associated with this culture, and again descended from Agastya etc., and having connections with the Aruna Rishis, shows them as the first of the Rig Vedic Seers and fathers of the Aryan or so-called “Indo-European” peoples themselves!


The fact of the oldest Aryans as Mediterranean peoples:

While these theories contradict the idea that the Aryan peoples were a Nordic race, let us remember that other Aryan peoples such as Keltic peoples of Britain also have more in common with shamanism or “Tantra” and Yoga, showing that the older Aryan culture was of such a type.

This would propose the Kelts as Dravidian peoples, if we believed those subscribing to Aryan-Invasion theories.

The Iranian Zoroastrians also had their magic, and even the term ‘magic’ itself, derives from the “magi” of ancient Iran.


The Greeks, Romans, Iranians and the first people of Britain were also of the darker Mediterranean race, the same as the Hindus of India. If they did come from the South of India, it is natural their skin would lighten in the North, and hence we see the peoples of Northern India resembling the peoples of Southern Europe.

Even today, the people of Wales, the most traditional of the Keltic people, have strong Mediterranean blood in their veins, which has been there from pre-Roman times. This also questions the Aryan-Invasion theory of Nordic peoples in early Britain, as much as it does in India!

Old Irish is also very close to Sanskrit, and shows it as perhaps an earlier offshoot.

The ancient Kelts also called themselves the peoples of Dana or Danu, who is the ancient Vedic goddess who mothered the demons (Danavas), including Vritra, the great serpent. This is also associated with a flood-culture, and shows that the scholarly tale of the Dravidian people of India as “Danavas” and non-Aryan, as completely incorrect!

By race alone however, we can see that the languages of Europe, and the oldest people and civilisation-builders there, were descendants of the Southern peoples of India, categorised as “Dravidians”.

Interestingly, this same Mediterranean race of earlier times that included the Basques, Etruscans and Guanches of Europe, and the Sumerians of the ancient Middle-East share a strong language similarity of ancient Dravidian tongues – showing an even older wave of these people from the region towards the West. This possibly also included, or at least was the origin of the Hamitic people such as the Egyptians, Ethiopians and Somalis of Africa.

We note that their Pyramidal architecture reflects the ancient Vedic Aryan or Dravidian styles and their variants in south east Asia, such as Borodobur in Indonesia. These styles also act as an “intermediate” between the Egyptian in the West and Meso-American styles, with Dravidian, but that is another topic!

Conclusion:

From here we can conclude that the ancient Aryan peoples and Indo-European languages derive from the ancient Indian peoples of India ,that are herein indigenous, and always have been.

The testimony of the similarity of languages, myths and continuity of ideas, and the same ancestor-ship between North and South Indians, as also the dominancy of the Mediterranean race found throughout the ancient Aryan peoples, proves this.

When we think about this however, we recall that the southern Siddha-Nathas and their traditions, the Vedic Rishis and the Keltic Druids all do seem to have been part of an older greater One-World culture!

To deny this is to deny the fact that the ancient Aryan peoples practiced any sort of black or white magic or sacrifice – which was the basis of their entire culture, and from which modern Tantric sacrifices ad practices derive!

It appears that the blunder here is also that scholars have looked to the more materialistic non-Siddha type cultures of Greece, Iran (Persia) and Rome, as opposed to studying other Aryan peoples such as the Kelts, who were more organic and spiritual.

That would naturally link these people with ancient India, and their origin in the now sunken regions of the South of India, which will hopefully be revealed in the future!

source:http://satyavidya.com/siddhanathas_and_the_dravid.htm

Wednesday, April 13, 2011

Aum Saravanabhava

A Satguru that I've been studying suggests the mantra "Aum Saravanabhava" for those not yet initiated by a guru instead of the "Aum Namah Sivaya" mantra. I understand that Lord Murugan is the 2nd son of Siva but would like to know more about the mantra and more about the Lord. The Satguru suggests that this is the mantra to chant for one aspiring the guidance of a guru.

What Is the Nature of Lord Karttikeya?
SLOKA 24

Lord Karttikeya, Murugan, first guru and Pleiadean master of kundalini yoga, was born of God Siva's mind. His dynamic power awakens spiritual cognition to propel souls onward in their evolution to Siva's feet. Aum

BHASHYA

Lord Karttikeya flies through the mind's vast substance from planet to planet. He could well be called the Emancipator, ever available to the call of those in distress. Lord Karttikeya, God of will, direct cognition and the purest, child-like divine love, propels us onward on the righteous way through religion, His Father's law. Majestically seated on the manipura chakra, this scarlet-hued God blesses mankind and strengthens our will when we lift to the inner sky through sadhana and yoga. The yoga pada begins with the worship of Him. The yogi, locked in meditation, venerates Karttikeya, Skanda, as his mind becomes as calm as Saravana, the lake of Divine Essence. The kundalini force within everyone is held and controlled by this powerful God, first among renunciates, dear to all sannyasins. Revered as Murugan in the South, He is commander in chief of the great devonic army, a fine, dynamic soldier of the within, a fearless defender of righteousness. He is Divinity emulated in form. The Vedas say, "To such a one who has his stains wiped away, the venerable Sanatkumara shows the further shore of darkness. Him they call Skanda." Aum Namah Sivaya.

What Does Lord Karttikeya's Vel Signify?
SLOKA 25

The lancelike vel wielded by Lord Karttikeya, or Skanda, embodies discrimination and spiritual insight. Its blade is wide, long and keen, just as our knowledge must be broad, deep and penetrating. Aum Namah Sivaya.

BHASHYA

The shakti power of the vel, the eminent, intricate power of righteousness over wrongdoing, conquers confusion within the realms below. The holy vel, that when thrown always hits its mark and of itself returns to Karttikeya's mighty hand, rewards us when righteousness prevails and becomes the kundalini serpent's unleashed power thwarting our every effort with punishing remorse when we transgress dharma's law. Thus, the holy vel is our release from ignorance into knowledge, our release from vanity into modesty, our release from sinfulness into purity through tapas. When we perform penance and beseech His blessing, this merciful God hurls His vel into the astral plane, piercing discordant sounds, colors and shapes, removing the mind's darkness. He is the King of kings, the power in their scepters. Standing behind the temporal majesty, He advises and authorizes. His vel empowering the ruler, justice prevails, wisdom enriches the minds of citizens, rain is abundant, crops flourish and plenty fills the larders. The Tirumurai says, "In the gloom of fear, His six-fold face gleams. In perils unbounded, His vel betokens, 'Fear not.'" Aum Namah Sivaya.

Let us know that Supreme Being and meditate upon Him, the Supreme General of the great deva army. May He enlighten us and lead us to be one with Him, Lord Skanda.Krishna Yajur Veda, Taittiriya Aranyaka 10.6.2-3 (Shanmukha Gayatri). LW, 112

In the heart of those who recount His name, He reveals His gracious feet. Thus He appears to those who chant the hallowed name Murugan. He stands immanent in all.Tirumurai 11, Nakkirar. KD, 224

The moon, sun and fire are in unison radiating their resplendent effulgence. Radiating the luminous sparks is Murugan, who lights up the world by His peerless light.[i]Kathirgama Purana. KD, 220

Murugan, Kumaran, Guhan -- to utter and melt and have divine experience -- when shall Thou grant this, O guru supreme, worshiped by the devas devout and mortals alike, O abode of virtues eight!Kandar Anubhuti 15. KA, 116


The First-born Son of Shiva-Shakti grew from Rudra’s fiery seed that fell into Gangama, and was known as Skanda.

He is Karttikeya: too intense for Shri Ganga to bear, he was consigned to the rushes on her bank (cf. Moses).

Rudra-Shiva is guardian of the Unmanifest, and the conception of Manifestation was accidental. That first conception was perfect and pure ~ a virgin birth of a perfect reality ~ and from the inert expanse of perfect Ideas (the Mind of God, and the very body of Lord Shiva) is born the perfect incarnation, the ideal form, the physical form of the Ideal, an Avatara.

Shiva and Shakti remain in eternal coitus; but in worldly legend, the device of Spilled (Skanda) Seed (Bija) preserves the maidenhood of the Devi. That fiery Bija is the Pranava, a product of Shiva's great Tapasya, which was deposited into Shri Ganga. Her immortal flow could not actually bear its intense heat; and to preserve Her own perfection, Skanda was driven to Her side, where he dwelled in the vegetation until his true nature was recognized by the six Karttikas, who kindled his light and raised the youthful spark up to a blazing reality.

The six Matrikas (recognized as Adityas and known as the Karttika sisters, whose constellation rules the harvest month of Karttika) were sent to kill infant Skanda; although, lactating at his sight, they nursed him, and named him Karttikeya, who became the six-headed commander of the legions of Rudra. The Matsya-Purana (c. 1000 AD) lists some 190 bloodthirsty Matrikas, created by Shiva to defeat the demon Andhaka. Karttikeya became the supreme commander of this hysterical host. His emblem is the blue-necked peacock, and it is perhaps amalgamation with the Karttikeya-cult (which was presumably not achieved without conflict) that gave Shiva his blue throat (Nilakantha).

The Adityas are generally counted as six or seven. Six is the number of spatial cardinals (East, West, North, South, Zenith, and Nadir); and, just as the prime number five is reserved for Shiva, the esoteric seventh point at the heart of this six-fold symmetry came to be understood as the transcendent seat of Shakti.

In Yoga, the Son becomes the equal of his Father, since their Light is ultimately One Light. Shiva and Skanda are but the source of light and the light itself; both the sacrificial fire and its essential nature, which are an effectively inseparable conjoined twin. And Shakti is Power ~ the Power of transformation, without which the Vision could not be made Flesh ~ so that all three of the Father, the Mother, and the Child, together frame the original nuclear family.

Karttikeya, just like his father, has a connexion with Keshin, and it is the action of the potent poison of all the worlds’ evil, which was churned from the primal ocean by Vayu (the Wind, father of the ancient storm-god Rudra) that is often given in explanation of Nilakantha Shiva, who held the venom in his throat and survived.

Shiva, Shakti, and Skanda, are but three forms of essential Fire, or Agni; and Agni is Rudra, and both Agni and Rudra are known as Tryambaka.

The Mahabharata mentions Rohitaka (modern Rohtak District, in Haryana) as the home of Karttikeya, who was tutelary deity of the ferocious orgiastic Mattamayuraka tribe (Matta = Drunk).

Although Karttikeya has received orthodox acceptance and royal patronage, his cultic origins have been retained by the Kanphata (Split Ear ~ from their initiatory insertion of large Kundala through the centre of each ear) Yogins, who worship the Samadhi of Mastnatha (Intoxicated Lord) at Astal Bohar, near Rohtak. Every night, three huge pipes are prepared for Mahayogi Mastnatha and his two assistants, and I am assured that every morning they are found to have been fully smoked. The Panjab Census Report (1891) described their annual Mela (Fair) as disreputable.


source: http://www.hindudharmaforums.com/showthread.php?t=590

Tuesday, April 12, 2011

Temples

South India has most of its temples intact and spared. South India was very lucky as sadly, nearly all the ancient temples of north India was destroyed by ignorant invasive forces.

It is amazing that the immensely beautitul and yet deeply ingrained in wisdom of temple forms have had the inner shrine diety worshipped without break everyday for many thousand years.

The secret behind the Siva temples, especially the ones that are over 1000 years old is- they are Siddha Samadhis. These Siddhars, after serving life forms in the earthly plane as Boddhisatvas, decide to go to higher realms. To ensure that thier work, which is a duty to help and respond to our call, have thev Lingam above thier Samadhi within which they are still present in the earthly realm. So when we worship the Diety within the shrine, we connect to the ancient energy that seeks to protect, guide, sustain and evolve.

Ekambareswara Natha- Siva of the Earth element.

Notice the word "Natha" in all the ancient Siva temples all over India.

The Siddhar is the Natha.

Siva's name in this temple- Ekambaresranathar

The photo on the right is of this ancient tree in the heart of the temple. It feels like being so grounded in this temple! Its like being absorbed of any left over karma!

Thiruchendur Muruga- Ancient temple of the Son of Siva born from the Third Eye.

Lord Muruga is called the Adi-Guru, ie,Primal Guru. He is the Siddhar's Adi Guru.

Muruga and the six divine dimensions are the mystical elements of the path beyond enlightenment.

The Sixth Sense that is born from the surrender of the five senses, enables the higher wisdom as the Adi-Guru to guide the mind and the body through the yogic tradition of the Siddhars.

Below is the Siddha temple in Pavannasam, in as place called "Kalyana Thirtham", which means, Sacred Water of the Divine Marriage.

The story behind this sacred place is that Siddhar Agasthyanathar was sent by Siva to south India. It was about the time when Siva and Parvathi (Sakthi) were to get married.

Siddhar Agasthyanathar prayed to Siva for him to have a vision of this grand wedding, the union of the Eternal and the Manifestations.

Siva granted him this sacred vision on this spot beyond the waterfalls, above the streams.... there is a Siddha Siva shrine above called, "Kodi Lingeswaranathar".

Siddhar Agasthyanathar is said to be still meditating in this spot!

Kalyana Thirtham

Aum Namah Sivaya!

source:http://www.nandhi.com/temples.htm

Irresistible attraction of Palani and Lord Muruga




Palani is one of the six divine abodes of Lord Muruga in Tamilnadu. These 6 temples are referred to as Aaru (Six)-Padai (Army)-Veedu (house ). Lord Muruga is said to have chosen these six places to host his army and vanquish the asuras. Palani is the 3rd among the Aaru-padai-veedus and is located about 95 Kms south of Coimbatore and the scenic Kodaikanal is just 64 Kms from Palani. The six Padai Veedus are as follows;
  1. Thiruparankundram
  2. Thiruchendur
  3. Thiru-aavi-nan-kudi (Palani)
  4. Swamimalai
  5. Thiruthani
  6. Palamudhircholai

PLACES TO SEE IN PALANI :

THIRU-AAVI-NAN-KUDI - the original 3rd Padaiveedu : There are two important temples of Lord Muruga in Palani. The famous one is ofcourse at the hilltop but the more ancient one and the original 3rd Padai Veedu is the temple near the foothill called Thiru-Aavi-nan-kudi.



Padha Vinayagar Temple : This Ganesh temple is at the foothill and we climb the hill after praying to Lod Ganesha. There is a coconut breaking place just opposite to this temple where hundreds of coconuts are broken everyday by devotees as an offering for the Lord to fulfill their prayers.




4 Ways to Go to the hilltop :
1. Staircase - this is the original route. There are 689 steps to reach the top and several mantapams enroute which offer shade & shelter. Able bodied persons can reach the hilltop in 15-20 minutes flat.Not me though. I had to rest in 4 places - gasping for breath due to my initial enthusiastic trot up the stairs and was wondering why I did not take the elephant path instead.

2. Elephant path - An easier way to climb on foot. This is a slopy path with just a few steps. Most people choose this path. There is a natural spring called Valli Sunai along the elephant path.The spring water here is believed to cure several ailments. One can reach the hilltop in 30 minutes along this path.

3.Winch


4.Rope-car


The winch and rope car are modern additions and take us to the hill top in just a few minutes comfortably. Ideally suited for elderly devotees and others who are physically not fit to climb. Many able bodied people also throng these routes to save time and trouble.

However, climbing on foot is considered the best way.Apart from being an exercise, it also helps us to reduce our karma if we consider the effort as an offering to the Lord.


Baladhandayudha Swami Temple at the hilltop: The original temple was built here by Sage Boganathar ( one amongst the 18 great Siddhars in the Tamil tradition) about 5000 yrs ago to coincide with the start of Kali Yuga.Some of the structures we see now were perhaps built about 1000 years ago.
Speciality of the Deity:
It is common knowledge that the deity is a statue made from 9 medicinal herb extracts ( called Navapashaanam or 9 poisons ) instead of granite or metal.These 9 extracts were extracted from a mix of over 4400 herbs. When these 9 extracts were mixed in the right proportion, the result was a super medicine that could cure any ailment.Such a combination, it is believed, can be achieved only by those adept in alchemy. All the 18 Siddhars were believed to be expert alchemists. It is because of this great quality that over the years people have perhaps greedily taken away bits and pieces of the original deity. What remains now is said to be a very slender form which is masked by various decorative materials to make the statue appear in good shape.

Darshan tickets
: Free darshan ( the longest queue ), Rs.10 and Rs.100 besides VIP passes. On weekends the crowds swell and hence the free / Rs.10 queues are very long. It could take a few hours to reach the sanctum sanctorum only to get pushed within a few seconds by the temple security guards.

Abishekham : Lord Muruga is said to be an Abisheka-priya and hence everyday special Panchamirtham abishekham is offered to the deity and then packed and sold to the devotees as prasad. The panchamrit is believed to cure various ailments.The Palani Panchamirtham is perhaps as famous as the Laddus offered in Tirupathi. A visit to Palani cannot be complete without tasting this divine nectar .Panchamirtham is made by mixing ripe bananas, honey, sugar candies , ghee and dates. The taste is simply out of the world. It is available in bottles for Rs.25 each or tin cans of Rs.30 each.
Prasadham : Other items in prasad include Laddu ( very yummy ), sweetened thinai poweder ( a kind of millet grown in hilly regions), murukku etc.

Bogar Samadhi & Pulipani Ashram: There is a shrine for Boganathar inside the temple premises. The Maragadhalingam (Shiva linga made of Jade) and statue of Goddess Bhuvaneshwari originally believed to have been with Boganathar is still kept in this shrine. It is said that there is a underground tunnel from this shrine leading to a little under the sanctum sanctorum. Sage Boganathar is said to have entered this tunnel and attained Mahasamadhi and is believed to be the power behind this Muruga temple. Lord Muruga is the Lord of all the Siddhars and the originator of the Siddha Yoga tradition. Sage Boganathar is still beleived to exist in astral form in this sacred shrine to add power to the temple and also to oversee several siddhars who even now live around this hill. The Bogar shrine alone is not under the control of the temple devasthanam. Instead it is under the control and maintenance of the Pulipani Ashram which is just next to the Pada Vinayagar Temple at the foothill. Sage Pulipani was a direct disciple of Boganathar and to this day the Pulipani Ashram is headed by his descendants. The Bogar shrine is an excellent place for meditation. One can meditate just outside the shrine and despite the crowds and noise, one can easily slip into a meditative state because the vibes are just too strong.


View from hilltop : From the hilltop we get breathtaking views of the plains below and the western ghats wherein is the famous Kodaikanal. Even the congested town looks great from the hill.


Girivalam ( circumambulation of the hill ) - It takes just about 30 minutes to walk around the hill. The Girivalam path is fully concrete. In most places, it is very scenic - lots of trees in the hill and there are lots of temples around the hill as well. Walking around the hill and climbing the hill by foot are supposed to be good for our health mainly because of the medicinal plants in that area. The wind carries the goodness of these herbs to us and as we inhale we benefit from them. But as of now, I am not sure how many herbs are left in the hill and with so many vehicles moving about, there is only more pollution . But if our mind is fixed on the Lord, it is fun to spend as much time in and around the hill. I burst into laughter on seeing a roadside eatery proudly display score of neatly stacked pooris right next to the road . For their typical customers ( mostly villagers), that would be an irrestible sight but I didnot want to risk tasting all the dust on the pooris !
Photos below - Idumban Hill , View of Palani Temple from the foothill & those deceivingly yummy pooris !


Despite rampant commercialisation of Palani ( like any other pilgrim centre), the thronging crowds and the noise, I still want to go back there as many times as the Lord would permit me - not for just the nectarine Panchamritham but also to soak into the nectarine beauty of Lord Muruga and His love and blessings !!

source: http://blue-throat.sulekha.com/blog/post/2010/09/irrestible-attraction-of-palani-lord-muruga.htm

Varma Kalai (The Art of Vital Points)

Varma Kalai (the art of varmam) is considered to be very sacred. It is believed that Lord Siva taught this art form. It is one of the oldest form of South Indian martial art and healing system. The aim of Varma Kalai is to produce healthy individuals. The main purpose of this rare ancient art of varmam is to save the precious human lives. Varma Kalai is very popular in southern part of the county, more particularly in Kanyakumari district of Tamil Nadu.

The term varmam appears in the Rigveda where Indra hits Vritra in a varmam with his vajra. This system of varmam is part of Sidha Vaidhyam, whose origin is attributed to mythical sage Agastya and his disciples.

According to the above versus, Lord Siva taught varmam to his wife Parvathi; later Parvathi taught varmam to their son Lord Murugan. Lord Murugan then taught Siddha Agasthiyar. Agasthiyar later gave a written form that reached the masses. But the original texts, directly written by siddhas, are not available now. Saints who have grasped the meaning of the siddhas sayings have given a poetic form, which is used in modern day learning. So far, around 50,000 songs are available.

Varmam has grown under three independent schools of thoughts, mainly governed by three ancient siddha’s namely Akasthiyar, Bohar and Rama Devar, The narrated history has been mentioned in the 41st prose of ” Kai Mathirai Thiravukol ” as follows:

One of the current available texts ‘Sarasuthram’ gives the criteria for teaching varmam to eligible students.

It says that a varmam teacher should teach varmam only to a ‘sivayogi’. Sivayogi means devotee of Siva. Knowledge of Varma Kalai is passed through generation after generation. People who have mastered the art are called asaans (masters). Varma asaans are also known as varmaanis. In order to learn this Art, it is necessary to work with an Asaan for a minimum period of 12 years.

Classifications of Varmam

Human body is divided into five areas in which varma points are discussed. They are:

Unit Area Number of Points
I From Top of the Head till Neck 25
II From Neck till Naval Point 45
III From Naval Point till Anus 9
IV Both Hands 14
V Both Legs 15
Total 108

Varma Therapy

Studies about each varmam’s (pressure points) characteristics like location of the varmam, depth and width of varmam, the pressure with which the varmam has to be tuned to cure diseases constitutes the mainstream study in varma therapy.

The various techniques that can be applied to cure varmam related injuries are:

  1. Marukaalam
  2. Thirumal Murai
  3. Adangal Murai
  4. Thiravukol Murai
  5. Thadaval Murai [Applying massage techniques]
  6. Marunthu Murai [Applying medicines]
  7. Vayu Nilai Amarthal
  8. Kattu Murai

Techniques like Marukaalam and Thiravukol Murai are used for instant relief. Techniques like Thadaval Murai and Thirumal Murai should be done at least for three consecutive days to give relief from varmam related injuries

Disorders that can be cured by Varma Therapy

Various other disorders that can be cured with the help of varma therapy are:

  • Nerves weakness
  • Body shivering
  • Disk prolapse
  • Dehydration
  • Cervical spondylosis
  • Head ache
  • Sciatic Problems
  • Eye problems
  • ENT (Ear, Nose, and Throat) problems
  • Bone joints and arthritics
  • Gland disorders (like Diabetes, etc.)

Varma Sastra

Although most of the vital Varma Sastra texts in palm leaf have been lost, presently more than 100 are traced out. Each book consists of 100 to 1000 verses. These Sastras were not available to common men until the recently. Some of the books which are available are given below.

1.Brahma Nila Sutram

2. Vahada Nidanam

3. ‘Marma Nidanam

4. Kadikaram’ (Kannadi)

5. Marma Sutram

6. Marma Sutra Thiravukol

7. Agastiya Thiravukol

8. Marma Thiravukol

9. Marma Aani Thiravukol

10. Marma Kandi

11. Marma Bheerangi

12. Marma Bheerangi Thiravukol

13. Marma Narambarai

14. Ulpathi Narambarai

15. Odi Muri Chari

16. Kettu Mura Chari

17. Odivu Murivu Kettu Suttiram

18. Murivu Kettu Thiravukol

19. Narambarai Suttiram

20. Kaivallyam

21. Marma Alavu Nool

22. Naalu Mani Mathirai

23. Marma Kuru Naadi Sasthram

24. Kuru Naadi Sasthram

source: http://vsmoni.wordpress.com/2010/12/30/varma-kalai-the-art-of-vital-points/